<![CDATA[Estelle Ryan - Blog]]>Thu, 02 May 2024 23:17:27 +0200Weebly<![CDATA[The Sirani Connection]]>Tue, 12 Mar 2019 08:14:53 GMThttp://estelleryan.com/blog/the-sirani-connection
Lucky number 13! Wow, it's hard to believe that Genevieve has already had 13 adventures. And I'm so very, very excited to share the latest one with you! As always this was a lot of fun to write - the research more play than work.
In this book Genevieve and the gang find themselves in Prague and the outskirts looking for Shahab. I was in Prague twice last year and can definitely recommend it as a place to visit. It is a beautiful city and the history is just as rich and amazing to discover.

Pleas
e remember to go the page on my website for The Sirani Connection - you can see photos of the Sirani painting featuring in the book, and the other artists. There are also links to many interesting articles about the topics covered in the book - artificial intelligence, deep learning and the opioid crisis.

​Be sure to check the bottom of the page for links to
 two recipes that Vinnie made. The butternut lasagne is my favourite!  Here's a photo of the lasagne I made a few weekends ago. Delicious!
Well, I'm going to get back to work now. Yes, I'm already working on the next book. This one might turn out to be a bit of surprise and I'll tell you all about that soon.
Buy The Sirani Connection HERE
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<![CDATA[The Sirani Connection - PRE-ORDER]]>Tue, 05 Mar 2019 11:19:16 GMThttp://estelleryan.com/blog/the-sirani-connection-pre-orderAvailable 12 March!!
​The book trailer is always such fun!
Stolen masterpieces. Deadly narcotics. Artificial intelligence.

A mysterious email and the arrest of a fugitive art thief send Doctor Genevieve Lenard and her team to Prague, where it soon becomes apparent that this theft has a close connection to a sadistic killer they’ve been tracking for almost a year.

No sooner do they arrive than they find a scientist tortured and murdered by Shahab Hatami—the man they’ve been looking for. Joining forces with Prague’s elite investigator and a controversial journalist, they start uncovering the trail of terror Shahab has left behind to discover he has only just started.

With Shahab developing a weapon that could kill hundreds, if not thousands of innocent people, Genevieve has to push past her autistic mind’s limitations to stop him. But when those she cares for most become his target and he threatens to exact his revenge on them, Genevieve has run out of time to investigate and has to act before it’s too late.

Pre-order here: 

* Apple: https://geo.itunes.apple.com/us/book/the-sirani-connection/id1453968589?mt=11
Amazon.comhttps://amzn.to/2IyeoPL
Amazon.co.ukhttps://www.amazon.co.uk/dp/B07P2CPD1H/
* Amazon.cawww.amazon.ca/dp/B07P2CPD1H/
* Nookhttps://www.barnesandnoble.com/w/books/1130674335
* Kobohttps://www.kobo.com/us/en/ebook/the-sirani-connection
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<![CDATA[The Sirani Connection (Book 13)]]>Mon, 14 Jan 2019 11:22:49 GMThttp://estelleryan.com/blog/the-sirani-connection-book-13
Stolen masterpieces. Deadly narcotics. Artificial intelligence.

Ooh!!! I'm so excited about book 13. I can't wait for you to read it. Yet, we have to wait a wee while longer. The Sirani Connection is currently with my editor being polished to a shine. Then it will go through proofreading and more scrutiny to remove as many of my typos as possible (hopefully all of them!). ​
Only after I've received the manuscript back from my editor will I be able to commit to a publishing date. As things are at the moment, I'm working towards end of February, beginning March. I hope to announce the date within two weeks or so. 

In the meanwhile, you can go to The Sirani Connection page on my website and look at some of Elisabetta Sirani's paintings, read about her life and listen to the pronunciation of her name.

As a woman, it always pleases me greatly to learn--and ultimately write--about women who were trailblazers, who were successful despite hurdles thrown their way. Elisabetta Sirani was one such young lady. She inspired countless female artists of her time to follow in her footsteps and if you look at her art, you will easily see why she is considered a master. 

I had so much fun writing about Sirani's art, the challenges the team faced, Manny's grumbling, Vinnie's cooking and generally just being in the team's world.

Any guesses what changes there will be in the team/family this time around? (No, I'm not going to give clues or even admit to anything! 😊​ )
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<![CDATA[SIX years!!]]>Mon, 27 Aug 2018 12:00:30 GMThttp://estelleryan.com/blog/six-yearsA fabulous reader reminded me that it has been six years (and 2 weeks) since I published The Gauguin Connection – 13 August 2012. Wow. Six years? It feels both longer and shorter.
I’ve mentioned before that I had no idea how well Genevieve would be received when I developed her character for the first book. It amazed me then and still amazes me today how many people—not necessarily on the spectrum—can relate to her and her quirks. It seems like there’s a little bit of Genevieve in all of us. 
 
It has been and still is such fun writing Genevieve’s character. I love that I can portray a complex person with so many challenges in a positive light. In real life, people on the spectrum face innumerable challenges and the vast majority overcome these with quiet strength that is never acknowledged. These are the people I want to honour by writing Genevieve. The people who show us what true inner strength, determination and courage mean.

Then there are their support systems who so very seldom receive the high praise they deserve for helping individuals on the spectrum integrate and function as best they can in a neurotypical environment. And that is where Colin, Vinnie, Francine, Manny and the others come in. These are flawed individuals—like us—who don't always know the right thing to do or say, but try their hardest to bring out the best in each other. 
 
Six years with Genevieve has definitely had an impact on my life. It’s made me even more aware of the differences in each of us, also more appreciative and accepting of those differences. The research for each book has educated me on many topics and thanks to Francine, I’m indeed paranoid about internet security. I laugh at myself about it all the time, but you won’t find me connecting to WIFI in a public place or using the Bluetooth in my car. No way. Nuh-uh. Nope. *shakes head vigorously*
 
Genevieve has brought me something else: Amazing people. Readers who have become friends. Readers whose kindness and generosity of spirit humble me. You guys have no idea how much self-control I have to employ not to constantly post ILOVEYOU-ILOVEYOU-ILOVEALLOFYOU everywhere!! I’m trying to be all professional and poised, but my melted, marshmallowey, messy insides filled with love and gratitude spill over constantly on social media.
 
Of all the remarkable things my books have brought me, it is your presence in my life that has truly made me a better person. And my melted, messy, lovey insides are deeply grateful for that.
 
Here’s to Genevieve’s 13th adventure and whatever lies beyond!

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<![CDATA[Answering Your Questions (2)]]>Tue, 05 Jun 2018 13:48:06 GMThttp://estelleryan.com/blog/answering-your-questions-2In this second video I chat (a lot!) about how I choose the artists, which coffee shops I prefer, when I knew I was going to be a writer, and a bit more about my writing process.
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<![CDATA[Answering Your Questions]]>Tue, 22 May 2018 09:23:02 GMThttp://estelleryan.com/blog/answering-your-questionsWith a hot mug of coffee in hand, I chat about how to pronounce Genevieve's name, why I chose Genevieve and autism; my knowledge of Strasbourg and the dark web;  Nikki and Pink as well as Vinnie's cooking (and my own). 
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<![CDATA[Why Genevieve?]]>Sat, 04 Jul 2015 07:00:00 GMThttp://estelleryan.com/blog/whygenevieveI’ve received countless emails and messages asking me why and how I came to decide on Genevieve. Why autism? What was my reasoning for this? Yesterday, I received an email from the lovely Kathie asking me how I started writing about autism. That finally got me to sit down and write this post. Thank you, Kathie!

To be honest, it feels like a lifetime ago when I was on my treadmill pondering this series I wanted to write. I knew I wanted to write the type of book I enjoyed reading. Something with an intriguing mystery, well-developed characters and with a sense of humour that appealed to me. Also I wanted to write about the topics that interested me – psychology, art, politics, music. A tall order. So, I got on my treadmill and started walking through this challenge (pun intended).
My choice was both practical and personal. The practical side had to do with the writing – finding a character people would love. I wanted someone who was interesting, smart, strong and with a great hurdle/challenge/obstacle holding her back. I decided on a woman, because I’m all for equality and strong, independent women. It also added the extra layer of vulnerability that as women we have to contend with every day - no matter how strong we are.

I wanted my main character to have something holding her back. Something real. Not the usual (and very real) family issues, alcohol, gender discrimination, etc. Something new, different and interesting. My next thoughts were of mental or physical disabilities. It wasn’t a hard choice for me. And this is the personal part of my decision. In my life, I’ve had many people close to me suffer from depression (in all its forms), bipolar disorder and a few other painful challenges.

Mental health is so vastly misunderstood, misrepresented and not talked about. For a long, long list of reasons, we are scared of talking about our mental state. That means we often suffer alone because we think we’re the only ones going through this specific experience, not knowing that our brother, sister, neighbour is experiencing something very similar and also suffering in silence.

I moved away from depression and other mental health issues to neuro-developmental disorders. I wanted to address a disorder that the average person on the street knows very little about. A disorder people walk wide circles around, causing even more hurt in the already confusing world these individuals live in.

And that was the birth of Genevieve. I wanted her to have had to deal with the discrimination that so many people on the spectrum experience. Hers came from her snobbish family.  But I wanted her to be strong enough to walk away from it and create her own path. Which she did. She understood her disorder and instead of fighting it, worked with it.

Most people on the spectrum have great difficulty recognising nonverbal cues. Genevieve realised that and became a world expert in that topic as well as studying psychology. She empowered herself with knowledge, using her analytical mind to help her understand neurotypical people. It took the mystery, the fear out of her environment and made it easier for her to function within society. Not that she chose to be part of society. But that choice was made when she had the knowledge of how society functions and she made the informed decision to stay on the peripheries of society. She didn’t feel forced out, ignored or avoided. It was her choice.

And I wanted to challenge even that. I wanted to push people into her life who would challenge all the stereotypes she had formed. That strong division between right and wrong, good and bad. I wanted people who she normally would never associate with to accept her, love her and help her develop, grow into an even stronger individual. And I wanted her to struggle with that.

I wanted all the things I just named in the above three paragraphs because from the core of my being I believe that we can achieve our dreams no matter the many things holding us back. For Genevieve, it is something we can name – Autism Spectrum Disorder. But for most of us, it is our own thoughts limiting us. If Genevieve, who has a diagnosed and recognised neurological disorder, can face her fears, grow, learn how to be a friend and lover, then we (who do not have a neuro-developmental disorder) can surely find a way to face our own fears and push to become the best person we can be.

When I started writing Genevieve, I’d hope people could identify with her, connect with her on some level even though she is extremely different to most of us. I didn’t expect so many readers to connect to her. Every time I receive an email or a message about this, I’m amazed how many people find a smaller or bigger part of themselves in her. I know she reflects me in certain areas. But then again, so does Colin, Vinnie, Nikki, Manny and even Phillip! 

Another question I’m asked very often—and always very gently, is if I am autistic or have a loved one who is autistic. The answer to that is no. But for some inexplicable reason, I have an intense understanding of and empathy with people on the spectrum. My social communication (related to gestures, jokes and flow of conversation); social interaction (related to making friends, knowing how to act in social situations); and social imagination (related to understanding and interpreting people’s ideas, thoughts, feelings and actions) are too developed for me to have ASD. But there are other traits that I can definitely claim as my own. Then again, I think all of us have a bit of a non-neurotypical side. Right?

I hope my very long and chatty post gave you an insight into why and how Genevieve came to be. Thank you so much for all your emails about Genevieve! I treasure each one.
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<![CDATA[Did I know?]]>Sun, 05 Apr 2015 22:00:00 GMThttp://estelleryan.com/blog/did-i-knowAbout a month ago, a reader on Facebook, Sonya (thank you, Sonya!!), asked me if I’d known where all the characters would go when I wrote The Gauguin Connection – the first book. It’s such a good question that I made a note to post about it when I finished writing book 7 and had a little rest. Well, book 7 is done and I feel rested. 

Let’s start right at the very, very beginning. When I created Genevieve’s world in my head, there was no story yet, but I had Genevieve, Colin and Manny’s characters. Phillip was also there, but in a much smaller capacity. Then I planned The Gauguin Connection. Somewhere around chapter 10, this big, loud bouncer of a man stormed into my planning and into the book. Vinnie. Good, I thought. He would be Colin’s sidekick and would disappear after a chapter or so. Well, 7 books later and Vinnie (and his cooking) is not going anywhere. He’s worked his way deep into the story and into my heart.
At the end of The Gauguin Connection, Francine made a brief appearance. She was also only going to be once-off character. Then The Dante Connectionhappened. The very first line was Francine’s and she established herself in the storyline. She is Genevieve’s ‘bestest’ friend and even has her own book (that’s being edited as we speak – woohoo!).

And then there’s Nikki. Isn’t she just the sweetest thing! Every time I write a scene with her in it, I smile and go all gooey inside. I love how open and loving she is and that she has them all wrapped around her little finger. She was also only supposed to make a quick appearance. But that scene in the conference room when she cried on Genevieve’s shoulder… well, that brought a connection for me that I couldn’t let go. I knew Genevieve would face a huge challenge with Nikki in her life. Again it would be great for the team dynamic, conflict and Genevieve’s personal development. Nikki stayed in the story and in Genevieve’s apartment.

Now that I think about it, I realise that I fell in love with these characters and didn’t want to let them go. I also saw the value they brought to the team dynamic and having them in Genevieve’s life could cause great conflict—which is always good for a story.

This is a veeeerrry long answer to Sonya’s question. The short answer: No, I didn’t know where all the characters were going when I brought them in. I also don’t know which future characters might come, go or stay. On an emotional level, I have to connect to them. On a writerly level, they have to add to the dynamics of the stories and the other characters.

Which brings me to Caelan. His was not an easy character to write. The Courbet Connection was also the most difficult book I’d written. The topic was greatly disturbing, but it was a story that needed to be told. When I wrote Caelan into the book, I wondered if people would love or hate him. Someone told me she wanted to throw her e-reader against the wall a few times in frustration with him. I wasn’t surprised. He was a bit much.

But many more people loved Caelan. I’ve been asked numerous times when he would be back and I honestly don’t know. I don’t want to bore you with all my thoughts about the why’s, but I promise that if ever the story needs Caelan’s special energy and all those geographical facts, he’ll be back.
It’s hard to imagine Genevieve’s life without Vinnie, Francine and Nikki. I, for one, am happy that they stormed into my planning and refused to leave.

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<![CDATA[The Power of Mozart]]>Tue, 27 Jan 2015 23:00:00 GMThttp://estelleryan.com/blog/the-power-of-mozartFirstly, a tiny biography: Wolfgang Amadeus Mozart was born in Salzburg, Austria on 27 January, 1756 – 259 years and one day ago. By the time he was 6 years old, he was playing multiple instruments. (6 years old – mind-blowing!) In his life, Mozart was incredibly prolific, composing hundreds of works.

His symphonies, concertos, sonatas, operas and other works are known for their emotion, sophistication and complexity. He died at the age of 35 (so young!) in his home on 5 December 1791. It’s said that so far his death has been attributed to 118 different causes, so I think it’s safe to say we don’t know what was the cause of death.
A few books have been written about the effect listening to Mozart has on our brains. It is said to affect our health, helps with concentration, aid mental development of children, calm our emotions, and a long list of other benefits. Another benefit is that the structure of Mozart’s compositions – the tempo, melodic and harmonic consonance, for example – aids in processing information, even helping the brain form new neural pathways.

I’m not an expert and don’t claim to support or disagree with these statements. All I know is that listening to Mozart while I’m working gives me a positive experience. I have not measured my ability to concentrate while listening to Mozart vs listening to my other music. Personally, it depends on my mood, the time of day, what work I’m doing and a few other factors. Like Jazz and Faro, I can listen to instrumental Mozart almost any time of the day for extended periods. Mozart’s operas require my full attention – I’ve seen most of them and enjoy them all, some more than others.

I included Mozart into Genevieve’s coping mechanisms for a few reasons. He’s well known, his music is known to have neurological value and it adds a bit of the classical to Genevieve’s character.

There are many videos on youtube and the like with a collection of Mozart's works - a lot of those videos were put together to help with focus, studying, relaxing and so on. It's worth trying. Maybe it will make a huge difference in your day.
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<![CDATA[How I Choose an Artist]]>Wed, 14 Jan 2015 08:00:00 GMThttp://estelleryan.com/blog/choosinganartistA smart reader asked me on Facebook how I chose the artists that feature in the Genevieve Lenard series. I thought it was a great question. With an extraordinarily boring answer.  I truly wish I could rhapsodise about how inspiration comes to me through a dream linking the crimes to some artist. I can’t.
To explain how I find the artists, I need to explain my writing process very shortly. My very first step in starting a book is to mind map an idea – I’m a huge planner. Then I build on that until I have each chapter planned in detail. That planning includes a very broad idea of the topic covered (e.g. 3D printing, biohacking, Tor, etc) in that book. In between all this planning, I do some research, but often I don’t know exactly what to look for, because I don’t yet know what I need to know. Sometimes I find the artist at the beginning of this process, sometimes quite far into the writing.

There are a few requirements for the artist: He/She needs to fit into the era/style that is related to the book. If his/her life is important to the story, I also look for those specific elements. The artist and/or his/her work need to be such that I can blend it into the story and use it with the crimes without too much difficulty. There is also a very silly, but important requirement - the artist's name must fit on the book cover. Funny, but important. And I need to like his/her art.

With each book, I try to explore a new era in art. And with each book, I learn so much. A few of the artists didn’t need great introductions, but Jean Pucelle, for example, was new to me. I loved exploring Gothic era manuscripts, illuminations and finding out more about the relationships the artists had with whomever had commissioned an illuminated manuscript. I never use all the information I find while doing my research, but I love every second of wading through all the info and carefully picking the few bits that will make it to my book.
Thank goodness, there are still many eras and an impossible number of artists to explore and use in my books!
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